King of Horror, legendary actor, scriptwriter and director, Paul Naschy is regarded as the Spanish Lon Chaney and the most prolific filmmaker dedicated to the fantastic cinema in Spain.

Ji-won, a news anchor woman, witnesses Jung Yong-wook, an emerging leader of the ruling party, being terrorized. She sees the incident from car parked on a deserted road as she was enjoying a secret redez-vous with Park In-gyu, the presidential candidate of the opposition party. She barely escapes being killed herself. The country is thrown in turmoil with the news of Jung Yong-wook's alleged suicide, and Park In-gyu urges Ji-won to keep quiet.

Lee Roo-Ri tries to get a job at big company, but she gives up. She doesn't have a good relationship with her strict father. Lee Roo-Ri decides to travel to a foreign country to get away. There, she meets Jung Tae-Yang who goes by the YOLO motto. He wanders around the world and places priority on his happiness, but he also carries an emotional wound.

Ralph Winston has never cried; not when he was a baby, not when his heart was crushed by his high school sweetheart, not even when he first saw Steven Spielberg's E.T. So when his father dies, Ralph - age 32 - decides to embark upon a true emotional journey with hopes to shed his first tear before the funeral - and before it's not too late.

Set in 1960, the story follows the efforts of the Mossad, the Israeli Secret Service, to find former SS Colonel Adolf Eichmann, who ran from Germany to Argentina and took the name Ricardo Clement. He was wanted for the murders of both Europeans and Jews during the Holocaust. Learning of Eichmann's living in Argentina, the Mossad sends a team to capture him, led by agent Peter Malkin. The standing order: bring Eichmann back alive to Israel for trial.

The rise and fall of a blind artist who has the extraordinary gift of making true-to-life portraits just by listening to human voices, and of becoming a TV-junk star. A fable on the need to rediscover the miraculous power of dignity in a world where media's noise has solved the problem of man's imperfection simply by removing the problem itself.

THE MAN WHO WAS THURSDAY is inspired by the existentialist novel of the same name by G.K. Chesterton (1908). The novel is considered a metaphysical thriller, and our film could be considered the same, though it also can be thought of in more classical cinematic terms a psychological and supernatural thriller.

The Meldrews get a surprise visit from Mr. Foskett, whom they know only because they stayed in the same guest house 17 years ago.